dark blue wool with yellow, red and white stripes at one end; appliquéd silk ribbon in white, lavender, light blue and medium blue forming U-shaped section with strips of symmetrical stepped flower and leaf designs; 4 red silk hand silhouettes, trimmed in white beads; green silk trim — Friendship Blanket, c. 1900
Wazhazhe (Osage)

G261

blue wool with white at sleeve ends and hem; bodice around neckline covered with 11 rows of white tubular shells; star or flower medallions of white tubular shells and sequins around hem, above rows of green, purple, and silver sequins, green, tan and dark pink ribbon, and metallic gold trim with twisted fringe; floral shell and sequin medallions with green ribbon trim on sleeves; red, yellow and purple ribbons at shoulders and top on back — Dress, c. 1880-1900
Lakȟóta

G261

upside down buck floating over landscape with river at center; white, wind turbines in green hills visible on either side of the buck in background, while broken barbed wire fences and tree stumps flank the animal in the mid and foreground; in RCQ, a patch of brown ground is littered with skulls and bones; black and purple butterfly silhouettes are scattered throughout (one on L and three on R), as are blue and yellow shapes in URQ, a red tree is in the ULQ, and the outline of a round-top chest in the river at BC; behind the buck is the outline of a curving road in red, coming from a four point star at TC — Interference and a Tiny Spot of Hope, 2019
Norman Akers

G261

abstract image; thin arcing forms with wider central form, with Native American motifs; light blue elements at center, left center and bottom center — Yellow Feather, 1975
Alex Janvier; Printer: Great Western Canadian Screen Shop, Winnepeg, Manitoba, Canada

G261

cardboard cover with brown and blue printed designs; drawings (and one reproduction plate) received in book in the following order: 1. three figures--two on horseback--one figure skinning a buffalo; 2. two figures on horseback hunting antelope with bows and arrows; 3. row of seated figures at bottom; figure cooking, two figures with fans and figure smoking pipe at top, left of center; three teepees; 4. image of a paddle wheel boat; 5. reproduction plate printed, "PLATE SEVEN: THE HONORING"; 6. original image from reproduction with teepee at right; row of figures at bottom; two figures with horses at top; 7. yellow, brown and green steam locomotive engine with bearded conductor; 8. image with teepee at left; figures in three rows at edges of sheet, facing center, with figure on horse at ends of rows at left; 9. hunters on horseback with spears, bows, gun and tomahawk, hunting antelope and turkeys, accompanied by two dogs; 10. figures standing around a structure affixed with feather headdresses, shields and long spear; woman with papoose at left center; 11. horse at left; hunter near center with rifle, hunting antelope at right; 12. soldiers holding a line with an anchor (?) at left; boat with sails at right; 13. Native American dancers at center; European figures surrounding dancers, observing them; 14. figures on horseback hunting buffalo; 15. European sailors on a sailboat; 16. European men eating around a campfire, ULC, in a wooded area with lighthouse at right; 17. dancers with spears, gun and tomahawk; three teepees in background; pages separated by thin blotter/tracing sheet (irregularly spaced between images) — Sketchbook, 1876
William Cohoe

G261

Old Fashioned Window/2, Ramona Sakiestewa — Old Fashioned Window/2, 1989
Ramona Sakiestewa

G261

abstract image with ovoid forms and wavy lines; black, blue, grey, red and dark rose; received in distressed wood frame — Black Ravine, 1949
George Morrison

G261

bare-chested woman with webbed frog feet and spotted hands with wide finger pads, wearing a fringed leather skirt and sash with floral design, in LRQ; standing man seen from back, with animal-like legs and long donkey-like ears, wearing a black skirt and armband with floral designs and a tan and black feather in his hair, holding a long staff with weathers, at left; circle of tiny turtles around man's head and upper body; both figures have long hair with braids, flowing in wind; blue and orange bird in sky between figures; large tree at right; foliage in LLC; water with trees on far shore; low horizon line; received unframed — Nanbozhoo and Toad Woman, 21st century
Rabbett Strickland

G261

Dress made of light brown paper with some scattered text and covered with a glue or hardening compound; there are some spots of red pigment scattered on dress; band at waist is reddish in color and ties in bow on back; black cut-out of bird with outstretched wings on chest; lighter brown attached collar and trim at bottom of sleeves and at one pocket off-set on front; electrical fitting for light bulb inside with attached cord; hangs on red wire hanger; artist sent two light blubs GE nightlight 7.5 watts — Childhood, 2004
C.Maxx Stevens

G261

straps: all over applique beadwork in floral motif on crystal ground; beaded on muslin. Bag: upper panel of applique beadwork flowers on black velvet; center panel of loomed beadwork in floral pattern on a white ground; "memory tabs" at bottom of bag with wool yarn tassels — Bandolier Bag, early 20th century
Anishinaabe (Ojibwe)

G261

Untitled (New York), George Morrison — Untitled (New York), 1954
George Morrison

G261

gold background with repeating rows of white hash marks with pink and blue undertones, resembling quillwork; periwinkle, pink, mauve, and blue horizontal bands around outer edges of canvas — Untitled (Quiet Strength I), 2016
Dyani White Hawk

G261

headdress with leather cap/headpiece with beaded band around front top with white beads with two lines of blue triangles, two red bars and two lines of red and orange triangles at either end; long red wool strips at each side of headdress, backed with buffalo hide; brown and cream eagle feathers overall; some feathers at top have light brown horsehair strands attached to ends; eagle feather at center back accented with bright red and bright purple feathers; images of cows' heads drawn on leather beneath feathers on crown of head — Headdress, late 19th-early 20th century
Tsistsistas (Cheyenne) or Lakȟóta

G261

red wool ground; five-pointed star at center; beaded overall with large blue bird with green and white flowers on predominately pink stems on each side, with smaller blue birds and flower motifs; pattern of multicolored rectangles along edges; maroon yarn fringe with hide strips and multicolored beads on all sides — Tablecloth, c. 1900
Winyan Hcaka ("The True Woman")

G261

Not a Good Day, 1993

Art Thompson; Publisher: Pacific Editions Ltd.

G261

Dew Drop, 1999

Susan A. Point

G261

Leggings, early 20th century

Anishinaabe (Ojibwe)

G261

Walks In The Dark costume/dress, 2015

Wendy Red Star

G261

Walks In The Dark costume/headdress, 2015

Wendy Red Star

G261

Walks In The Dark costume/dance wand, 2013

Wendy Red Star

G261

Walks In The Dark costume/dance wand, 2013

Wendy Red Star

G261

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